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Monday, October 12, 2026
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Ballet Luminary Matthew Ball on Grueling Roles and Online Scrutiny: 'I Don't Feel Protective About My Body'

Within the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally upright, his arms defined beneath a simple white T-shirt. On stage, dancers can appear as mighty gods, yet often offstage they are small. Not so Ball, whose height is one reason for his demand for princely characters and partnering. Possessing fine features and piercing eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he encountered minimal ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was promoted each year, attaining the highest position of principal in 2018. He has relished taking on meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured appearance is in a talk, in an "In Conversation" series designed to offer intimate perspectives into a dancer's art. He will walk the crowd through a role, demonstrating his cognitive workflow during execution. Even in lighter works, the challenge is significant. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and Post-Performance Feelings

What about after a performance, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, frequently I do feel embarrassed afterwards. After an intense role I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer once remarked on a "kind of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."

Early Motivations and Artistic Influences

Ball's tenacity stemmed from early experiences. Not doing well in contests at school made him "vengeful!" It was fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming endeavor is creating his own choreography. For Ball, "organic movement has value." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and painting.

Intimate Dance and Personal Partnership

He also favors staging dance in smaller venues. "It was just really exciting," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created duets with his partner, fellow principal Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t typically paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Perception

On social media, fans can see videos from his projects and photos that highlight a athletic physique. Does he care that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on various ways.

Ball describes his early self as "desperate for success." Has it lived up to his expectations? "I am conscious of how life is a separate reality to the aspirations you had as a young person," he reflects. He likely has about ten years of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."

Written by

Sara Jackson

A passionate advocate for Australian craftsmanship, sharing insights on unique finds and sustainable shopping.

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